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I try to do this using all forms of touch. The same goes for arpeggios in all inversions. I'll work on getting them as fast as possible while maintaining clarity and tone quality. This means being able to play the scale without any accents that I didn't want. When I work on scales, I focus on creating an evenness of tone between the fingers.

Now, my views on technical work may be very different from others, or it may be the same. Some days I'll need a break from repertoire, so I'll spend an entire practice session just working on technique. It all depends on what I plan on doing that day.